By Harvey Shapiro
The celebrated poet Harvey Shapiro kicked the bucket on January 7, 2013. The poems during this booklet, a lot of them formerly unpublished and came upon in basic terms after his loss of life, are an excellent gift, and the ultimate affirmation of his awesome expertise. Edited through Shapiro's literary executor, the poet and critic Norman Finkelstein, those final poems undergo an unparalleled gravitas, and but they're as supple, jazzy, and edgy as Shapiro's previous paintings. the entire topics for which he's identified are fantastically represented right here. There are poems of his reports in international struggle II, the erotic existence, and of day-by-day moments in Brooklyn and big apple, all looking for a cosmopolitan knowledge and style that the poet calls "a short-term glory." As Shapiro tells us, the poem "Is an Egyptian / send of the lifeless, / every little thing required / for all times kept / in its hold." The e-book contains an advent by means of the editor. a web reader's better half can be on hand.
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Extra info for A Momentary Glory: Last Poems (Wesleyan Poetry Series)
Lowell’s obscure references were not obscure to Sylvia; she was the best educated of the group. She had absolutely no sense of humor. Ever! Lowell’s offhand, jokey manner did not evoke a smile from Sylvia, as it did often from others. She was serious, focused on the matter at hand, almost pained. Lowell was intense about poetry, totally one track, but after a long exploration of a poem, or of the work of a “famous” poet, he might turn with a deferential smile 32 Sylvia Plath, 1959–1960 and make a funny, light little comment.
Lowell good in his mildly feminine ineffectual fashion. Felt a regression. The main thing is hearing the other students’ poems & his reaction to mine. 12 She had told the class, at our first meeting, when we went round and introduced ourselves, that Wallace Stevens was her favorite poet. She sat very straight as she said this, seeming quite sure of herself. Lowell seemed to approve. Sylvia was erudite and classical, unlike the flamboyant Anne Sexton. The achievement of her poetry at that time seemed to lag behind the scholarly achievements of her mind and critical ability.
After Sylvia’s suicide, Anne felt a mixture of emotions: anger, betrayal, and abandonment. But most of all she was jealous that Sylvia had actually managed to kill herself, something both women had discussed endlessly. Anne was obsessed with death — one has only to read Live or Die to see to what extent. Anne felt Sylvia had achieved immortality by her suicide. Sylvia beat her to it! W. D. Snodgrass, who wrote about his divorce in A Heart’s Needle, and Anne and Cal, who wrote about mental breakdown and its effects on family life, were taking risks.
A Momentary Glory: Last Poems (Wesleyan Poetry Series) by Harvey Shapiro